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  • 21.02.2019
  • by Mijinn

Playle's: Real Photo Postcards, How to Identify and Date Real Photo Vintage Postcards

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The following information regarding political postcards was distributed at the APIC National Convention in Columbus Ohio during a seminar on political postcards. Thank them for their efforts. Sailboat in circle. Postcard Postage Rates. September 14, You can click on each advertiser below to access their website or see their advertisement. Contact Member Services.

Many of these show famous athletes and teams.

Real photo postcards with baseball subjects are popularly Real photos are dated by the back designs and text and, as shown later, authenticated by some basic knowledge of old photography. NOKO s.

In the ss, many European movie star postcards were made, with the occasional athlete turned actor depicted. These are plentiful and often with second generation images.

The brownish tones are common to these postcards. Most real photo postcards are gelatin-silver, with many to most of the early Pre-WWI examples having silvering in the images and thin stock. A few early vintage examples are cyanotypes, easily identified by the bright blue, matte images.

Despite being rarer, cyanotypes usually sell for less than the gelatin silver, as most collectors prefer the black-and-white tones.

Note that cyanotypes do not get silvering, even if old. In the United States real photo postcards originated in Many vintage postcards have photomechanical ink and printing press images. These are distinguished under magnification by the dot or other printing pattern.

Most ink and printing press postcards can also be identified by the naked eye as the images are not as clear and deep as the photographic image. They still maintain a continuous tone and their colors may provide some clarification. Sometimes instead of using masks the emulsion solution would not be applied to areas where white tabs were desired leaving behind a rough brushstroke edge.

Dating noko postcards

None of these papers were made with postcard backs. NOTE: Kodak stopped producing platinum paper in Albumen Prints - Photo prints utilized albumen based emulsions sincebut its undesirable characteristics took it out of general use by the time real photo postcards came into production.

The rare photo card that may have been printed on albumen paper comes from a period where these cards would be considered novelties. Because this paper was thin and tended to curl they were usually pasted onto card stock or board, as in cabinet cards. The thin paper was also easy to cut and paste and pieces of these photos were commonly collaged into scrapbooks and sometimes pasted onto postcards.

Postcard History & Dating

All albumen prints were made by contact printing and printed out. Albumen prints are categorized by warm tones that should now have considerable yellowing. They were almost always toned to improve their sour yellow look.

Gold toning created a red to purple brown cast or a blue black. Platinum toning created a brown look. When double toned with gold and platinum the print would remain neutral.

The paper itself was often dyed pink; though blue, green, and violet were also common. About 85 percent of all photographs made in the 19th century were albumen prints.

They were so familiar to the public eye that albumen became synonymous with photography. It was not very light sensitive and was only used for contact printing with direct exposure to the sun.

This silver chloride paper had a collodion emulsion that could be washed out with water after exposure.

As this paper was manufactured before the advent of real photo postcards, its first release was on thin paper stock. Collodion emulsions produced prints with a very fine tonal range and sharp details.

Collodion however was highly flammable, which detracted from its popularity.


Most collodion papers fell out of common use before real photo postcards were made. It was not meant for postcards and had no postcard back. Gelatin Prints - These chloride papers were made with very small particles of silver suspended in a gelatin emulsion.

They tend to be vulnerable to contamination and can easily deteriorate. They were much faster than collodion based papers and were able to be exposed indoors under gaslight lamps gaslight paperbut they remained slow enough to be used only in contact printing. Its ease of use made it the most popular paper on the market for real photo postcards. They were manufactured with postcard backs. NOTE: Azo paper without postcard backs continued to be made until Because this required guess work to judge exposure time, these papers were not as popular at first as printing out papers.

In Kodak introduced a developing machine for professional and amateur alike, and between and photo processing services for postcards were also offered to encouraged sales.

These papers weretimes more light sensitive than print out papers and eventually became the paper of choice. Their speed not only allowed them to be used with an enlarger but it increased production speed as well.

Bromide Prints - Bromide prints are developed out producing a very stable image due to their large silver particles. They have a warm to blue-black color and are highly subject to tarnishing. While permanent bromide paper was developed alongside chloride papers, its cost, difficulty to process, and lower tonal range kept it from being widely used in America. Large quantities could also be produced in consistant color because they did not require toning. However there was no demand for mass production until real photo postcards became popular.

Bromide paper was relatively fast and was meant to be used with an enlarger.

Rotograph and Kodak both manufactured bromide paper. The words Bromide Print often appear on these cards rather than a brand name, or they go unlabled.

Chloride Prints - These silver chloride papers in a gelatin emulsion were much faster than traditional papers that required sunlight exposure.

They became known as gaslight papers because of their ability to be exposed indoors under gaslight. They produced a good tonal range with high detail.

Find out how to identify and date Real Photo Vintage Postcards on Playle's. NOKO , NOKO , NOKO s, NOKO s - s. Stamp boxes on printed or lithographed cards also offer dating clues. The easiest way to distinguish a real photo postcard is to look at it under a magnifying glass; it will show smooth transitions from one tone to . NOKO, s. Find out how to identify and date Real Photo Vintage Postcards on Playle's. Quick Reference Real Photo Old Postcard Dating Guide NOKO, s.

They were often toned a warm brown to avoid their natural red to purplish brown color. These papers were sold in heavy weights with preprinted backs for specifically creating real photo postcards.

A real photo postcard is a postcard with a genuine photographic image on one side. Real photo Postcard Date by Stampbox Markings NOKO ' - s. Real-photo postcards (sometimes called RPPCs) are the result of developing a negative onto photo paper with a pre-printed postcard backing. Classic. The MetroPostcard Guide to dating and identifying real photo postcards. NOKO (The exact dates used beyond are uncertain). Logo, PMO -.

The emultion on these papers were generally applied to paper with Baryta sizing, which was only available from Germany until Kodak began to manufacture it in The brand names of these papers allow us to date many photographs today.

NOTE: A warm brown chlorobromide paper with improved tonal range started being used in Europe in Bromide also started being added to American made silver chloride prints to increase speed but not on a consistent basis. NOTE: Velox paper without a postcard back was manufactured until Some Kruxo cards have no stamp box. The sulphur Hypo solutions used to wash out excess silver and fix the print cannot be entirely washed off and they to in time yellow paper.

Real Photo postcards are Black and White photographs that are reproduced by actually developing them onto photographic paper the size and weight of postcards, with a postcard back.

Dating Real Photo Postcards Giving an Approximate to a Real Photo Postcard Date by Stampbox Markings NOKO s. Dating Real Photo Postcards by Stamp Box NOKO. 's. PMO. Sailboat in circle. SOLIO. 's (diamond in corners). Real Photo Postcard Identification and Dating (RPPC) There is some confusion on what Real Photo postcards are NOKO s.

There are many postcards that reproduce photos by various printing methods that are NOT real photos The best way to tell the difference is to look at the postcard with a magnifying glass.

If the photo is printed, you will see that it is made up of a lot of little dots, the same as a photo printed in a newspaper. A real photo postcard is solid, no dots. Most real photo postcards have identifying marks on the back, usually in the stampbox corner, that identifies the manufacturer of the photographic paper.

You can approximate the age of the Real Photo by knowing when the paper manufacturer was in business.


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